Even as Aster boldly introduces all manner of Trump-era malaise, “Eddington” is deliberately opaque.

Somehow still, the film manages to be hilarious, heart-wrenching, shocking, infuriating, and genuinely exciting, while still feeling like an honest, microcosmic appraisal of America ...

While confusing and drawn-out at times, “Eddington” is certainly a movie that makes you think. In the end, the people of ...

Do Pedro Pascal and Joaquin Phoenix ever feel like plastic bags, drifting through the wind, wanting to start again?

The film, a strange take on conspiracy theorists, the pandemic era, social media and street protests, claims to be a satire, ...

It’s a tired narrative, yet the headlines persist. “Can so-and-so band save rock ‘n roll?” “Is such-and-such artist here to ...

Moviegoers have grown accustomed to expecting a lack of normalcy in Aster's movies. His first three films — “Hereditary,” ...

Superman scored an easy second weekend win at the box office with another $57 million added to its total. That’s a 54% drop ...

Eddington is, I think, less about political axe grinding, or even point making, and more about what it feels like to have all ...

Unsurprisingly, Eddington is already one of the most divisive films of the year. After all, what’s scarier and more ...

Writer-director Ari Aster tends to end his narratives in careening mayhem that finally exhausts itself in an absurdist state ...

The biggest problem in Ari Aster's small community of Eddington is sitting quietly in the townspeople's pockets.